The level of excellence which came to be associated with the Firm’s glass was crucial in establishing its financial success. The early years of the Firm coincided with the Gothic Revival and the subsequent boom in church building and refurbishment. Stained glass windows made up a significant portion of the products sold by the decorative arts firm from its beginnings in 1861 as Morris, Marshall, Faulkner & Co, a collective which included Burne-Jones, among other members of the Pre-Raphaelite circle. The window, featuring the Old Testament patriarch Noah, was offered through a dealer, one of several windows featuring patriarchs and saints, originally installed in the Chapel of Cheadle Royal Hospital, near Manchester.īetween 19 Morris & Co was engaged in creating the windows for the newly built Chapel of the Cheadle Hospital. In January of this year the Museum was fortunate to acquire a stained-glass window designed by Edward Burne-Jones for Morris & Co.
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